First performed in 1896, Andrea Chénier is rightly regarded as one of the key works of verismo. With his melodrama about the historical poet André Chénier during the upheavals of the French Revolution, the composer Umberto Giordano created an undisputed masterpiece, an emotionally charged work in which a great love that triumphs over class differences and social discord finds fulfilment only in death. Previously unseen at Munich’s Nationaltheater, Giordano’s opera entered the repertory in 2017 in a production by Philipp Stölzl, who was making his debut with the Bayerische Staatsoper. Both before and since then he has demonstrated his imaginative, detailed and powerfully expressive approach to direction. And it was this conviction that formed the basis of his concept for his Munich Andrea Chénier: “My ideas emerge from the piece itself. I work outwards from the inside. Any director needs to find something to latch on to in history. I want to narrate what’s there. I don’t need to invent anything. The characters function as they do because they act within fixed historical images. My aim as a director is to discover this panorama and reveal it to my audiences.”